Jumat, 31 Desember 2010

[I222.Ebook] Download Introducing Child Psychology, by H. Rudolph Schaffer

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Introducing Child Psychology, by H. Rudolph Schaffer

Introducing Child Psychology is for all those who want to find out what psychology can tell us about the nature and development of children.


  • A non-technical introduction for all those who want to find out what psychology can tell us about the nature and development of children.
  • Presents the major topics of child development investigated by psychologists.
  • Pays particular attention to the most recent research findings.
  • Consistently relates psychological knowledge to practical situations, showing what psychology has to offer in real life situations involving children.
  • Learning is supported by study boxes, summaries, definitions and suggestions for further reading.

  • Sales Rank: #2913127 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2003-10-17
  • Released on: 2003-10-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.70" h x .83" w x 6.80" l, 1.89 pounds
  • Binding: Paperback
  • 404 pages
Features
  • Used Book in Good Condition

Review
"This is a splendid book – written with great clarity, it presents the core issues, ideas and evidence on the development of children, and captures the excitement of recent research. It raises the key questions that make the study of children so exciting, and is always judicious in its weighing of the evidence to answer them. A wonderful book – accessible, enjoyable, and wise – to be recommended for students at all levels and for teachers." Judy Dunn, Institute of Psychiatry, London

"This book provides an engaging, detailed and informative introduction to child psychology. Whilst obviously scholarly, the book is eminently accessible and readers should have no trouble in appreciating the different approaches to child psychology or in getting to grips with some of the more difficult concepts. The author himself states that children are fascinating and important and this is obvious throughout the text. Each chapter explores a specific area allowing the reader to develop real insight into the world of children. The judicious use of text boxes and insets helps clarify specific issues and points. This comprehensive book should prove to be indispensable to all readers who want to work with and understand children." Bernie Carter, Professor of Children's Nursing, University of Central Lancashire

"This is an excellent introduction to the methods, theories and main concepts used by psychologists to describe our current systematic understanding of children and their development from conception to early adulthood. The treatment is comprehensive and crystal clear reflecting the author's vast experience and authority in the field. Schaffer's scientific rigour is matched with his fascination with and delight in children which illuminate every chapter. His measured conclusions will be invaluable to a wide range of professionals who work with and promote our understanding of children." Professor Charles Desforges, School of Education, University of Exeter

"Schaffer has written an accessible book which succinctly describes and evaluates concepts, perspectives, and research findings in child psychology and relates them to matters of practical importance in the care of children. It provides an excellent introduction for students new to the subject and to those embarking on university courses." Pamela Calder, Senior Lecturer in Psychology, South Bank University

"The book assumes no previous knowledge, but at the same time is rich and penetrating: its style is engaging, and research findings are reported clearly ... as well as communicating the excitement of the field as a whole ... The book is beautifully presented, and is a pleasure to use ... Introducing Child Psychology is a book to enjoy, and to recommend both to trainees and to experienced psychologists." Peter Appleton, Clinical Psychology

From the Back Cover
Introducing Child Psychology is for all those who want to find out what psychology can tell us about the nature and development of children. Assuming no prior knowledge, it is designed to suit students of psychology at school or university, those training to work with children in a variety of different professional roles, or general readers who are interested in what makes a child ‘tick’.


The book begins with an explanation of the aims and principles of child psychology as a scientific discipline, and describes the methods used to obtain knowledge about children. It then goes on to present the major topics of development that have been investigated by psychologists, paying particular attention to the most recent research findings.

Throughout, psychological knowledge is consistently related to practical issues, showing what psychology has to offer in real-life situations involving children.

About the Author
H. Rudolph Schaffer is Emeritus Professor of Psychology at the University of Strathclyde, Glasgow, and has written extensively on various aspects of child development. His recent publications include Making Decisions About Children (2nd edition, Blackwell Publishers, 1998) and Social Development (Blackwell Publishers, 1996). He is also editor of the journal Social Development.

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0 of 0 people found the following review helpful.
Five Stars
By eiraweb
Really interesting book and fast shipment. Thank you.

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Kamis, 30 Desember 2010

[O465.Ebook] Ebook Free Milly-Molly-Mandy Stories (Kingfisher Modern Classics), by Joyce Lankester Brisley

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Milly-Molly-Mandy Stories (Kingfisher Modern Classics), by Joyce Lankester Brisley

A little girl with a heart of gold The stories of Milly-Molly-Mandy, the little girl with the pink-and-white striped dress, have been enjoyed by generations of readers since they were first published in 1925. Follow Milly-Molly-Mandy as she gives a party, gets to know her new teacher, keeps shop and spends her first night away from home. Milly-Molly-Mandy's warm family relationships and her adventures with playmates Billy Blunt and little-friend Susan are a delight. Perfect to read aloud, these timeless tales will touch a chord with all young children. This classic edition is the first ever Milly-Molly-Mandy storybook, as published by Harrap in 1928, complete with its charming original illustrations.

  • Sales Rank: #7036973 in Books
  • Published on: 2001-10-22
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 183 pages

About the Author
Joyce Lankester Brisley (1896-1978) was only thirteen when her first story was published in a children's magazine. Joyce later studied at Lambeth Art School, and she and her two sisters all had paintings exhibited at the Royal Academy. She designed posters and book jackets, as well as illustrating the work of other authors. However, she is most famous for the creation of Milly-Molly-Mandy, whose enduring popularity makes her a true classic of children's literature.

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1 of 1 people found the following review helpful.
Childrens Book Classic
By C. Mathieu
Growing up in Germany in the sixties, I read the German translation of two of the books (called "Milli-Molli") and absolutely loved them. The German illustrations are even more beautiful than the original illustrations, believe it or not.

Until recently, I never found out that what I had read was only a fraction of what Joyce Lankester Brisley had written, so when I discovered that there are at least 4 Milly-Molly-Mandy books (possibly even eight?), I ordered them at amazon and with a delay of more than 4 decades enjoy now reading the series in it's entirety.

Very recommendable!!!

4 of 4 people found the following review helpful.
further doings of Milly Molly Mandy
By Deanna P. Peterson
I am an adult. When I was growing up, I read all of Milly Molly Mandy Books. I searched and searched but could not find them in the U.S. Thanks to Amazon.com I am now re-reading them and having them as collecters, when my grandchildren visit, I read it to them., and they love it. They are the type of books kids should be reading today as part of their childhood. The books are very pleasant, and it teaches about togetherness and sharing, not taking things for granted. It talks about gratitude. Thanks for looking for "my Milly Molly Mandy" books.

20 of 20 people found the following review helpful.
I Love Milly Molly Mandy Stories
By A Customer
My name is Laura. I am 9 years old. I read this book that was printed a long time ago. I really like the book because Milicent Margaret Amanda did very interesting things. One of the things she did was sending messages throughout the town by running around town and passing on messages. Her grandmother taught her to sew and she made a surprise pot warmer for the tea kettle. Even though this book was written 75 years ago it is still one my favorite books. I recommend this book to children who can read or their parents can read it to them.

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Senin, 27 Desember 2010

[W690.Ebook] Download Ebook Breaking Ground: Keys for Successful Online Learning, by HASSENPFLUG AMY SCOTT, CONNER HEATHER JAMAICA JOHNSON, TRAPHAGEN AARON D

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Breaking Ground: Keys for Successful Online Learning, by HASSENPFLUG  AMY SCOTT, CONNER  HEATHER JAMAICA JOHNSON, TRAPHAGEN  AARON D

Breaking Ground: Keys for Successful Online Learning uses the analogy that your academic career is like a construction project and also your spiritual development. If you want to be successful in anything in life, you must begin with a purpose, building upon a firm foundation. Each chapter contains four essential elements: A devotional, known as The Cornerstone Key Concepts that highlight the academic objectives and instruction A review and application section called Building Blocks An explanation of resources, the Tool Box

  • Sales Rank: #812118 in Books
  • Published on: 2016-03-30
  • Original language: English
  • Binding: Misc. Supplies

Most helpful customer reviews

15 of 15 people found the following review helpful.
Great book, but be aware on online quiz code.
By David in Charlotte
The book itself is very good. However, BE AWARE that each book contains a unique code in the front cover for taking the online quizzes that are required for this class (at Liberty University). Once the code has been used, it cannot be re-used. So if you are taking this class for credit, you must purchase a BRAND NEW book. You cannot purchase an online quiz code separately (I tried!). Thus, the re-sale value of this book is zero, unless you happen to find someone who wants the book to study without actually taking the class for college credit. My daughter ran into this problem, unknowingly purchasing a used book on Amazon, then having to purchase a second brand-new book to take the quizzes. THEN, my son took the class the very next semester, and could not use his sister's book, but had to buy another brand-new copy. (Someone please plant a tree to replace all this paper!) But... they both said that the book and class are very good.

3 of 3 people found the following review helpful.
Had a lot of useful information in it for someone starting college online
By Katawba Valley Trading Co.
Bought this book used. This is a book used for Liberty University. You will need a access code that normally comes with the new book. I was able to call the company and they gave me another access code to use with the book. Book was a little rough shape when I got it but that did not matter to me as I don't care how it looks as long as I can read the pages. Had a lot of useful information in it for someone starting college online. This goes though some of the history of Liberty University too. Great Christian University!

0 of 0 people found the following review helpful.
Five Stars
By Beka
it was in great conditions, just ordered the wrong book but is no ones fault

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Sabtu, 25 Desember 2010

[L249.Ebook] Download Mexico: The Cookbook, by Margarita Carrillo Arronte

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A New York Times Best Seller

A Publishers Weekly Top Ten Cookbook (Fall 2014)

"All my life I have wanted to travel through Mexico to learn authentic recipes from each region and now I don’t have to – Margarita has done it for me!" – Eva Longoria

The first truly comprehensive bible of authentic Mexican home cooking, written by a living culinary legend, Mexico: The Cookbook features an unprecedented 700 recipes from across the entire country, showcasing the rich diversity and flavors of Mexican cuisine. Author Margarita Carrillo Arronte has dedicated 30 years to researching, teaching, and cooking Mexican food, resulting in this impressive collection of Snacks and Street Food, Starters and Salads, Eggs, Soups, Fish, Meat, Vegetables, Accompaniments, Rice and Beans, Breads and Pastries, and Drinks and Desserts.

Beautifully illustrated with 200 full‐color photographs, the book includes dishes such as Acapulco‐style ceviche, Barbacoa de Pollo from Hidalgo, classic Salsa Ranchera, and the ultimate Pastel Tres Leches, each with notes on recipe origins, ingredients, and techniques, along with contributions from top chefs such as Enrique Olvera and Hugo Ortega.

  • Sales Rank: #14732 in Books
  • Brand: Margarita Carrillo Arronte
  • Published on: 2014-10-27
  • Released on: 2014-10-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 2.50" w x 7.25" l, 1.20 pounds
  • Binding: Hardcover
  • 704 pages

Review
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A New York Times Best Seller

A Publishers Weekly Top Ten Cookbook (Fall 2014)

New York Times Book Review Holiday Gift Guide 2014

Food Network Recommended Holiday Gift Book 2014

VanityFair.com Holiday Gift Guide 2014

Travel + Leisure Holiday Gift Guide 2014

AFAR Holiday Gift Guide Pick 2014

"If you want to give your taste buds a gustatory tour of Mexico, then Margarita Carrillo is ready to be your guide with Mexico: The Cookbook, her new, encyclopedic take on her country’s cuisine." – NPR Morning Edition

"Mexico: The Cookbook does for Mexican food what Julia Child did for French cuisine." – Vogue.com

"Jammed full of recipes, Mexico: The Cookbook is a work of staggering breadth, but it’s also a pleasure to read, with recipes ranging far from enchiladas suizas." – The New York Times Book Review

"A showstopper. The recipes are as approachable as they are plentiful. Consider it a necessity." – VanityFair.com

"Exquisitely beautiful and encyclopedic." – T Magazine

"Foodies rejoice, this is a cookbook like no other." – NBCNews.com

"All my life I have wanted to travel through Mexico to learn authentic recipes from each region and now I don’t have to – Margarita has done it for me!" – Eva Longoria

"Absolutely wonderful. I wish I could close my door and read it all day." – Nancy Wall Hopkins, Senior Deputy Editor–Food & Entertaining, Better Homes and Gardens

"Hasta La Vista, Tex‐Mex. Mexico: The Cookbook may kill your taste for supermarket salsa for good." – Elle Magazine

"Mexico: The Cookbook promises to introduce even the biggest fans of tort as and tamales to something new about Mexican cuisine and aims to prove that it can be as refined as it is accessible." – Time.com

"A show‐stopper! Mexico: The Cookbook will make you throw your sad burrito out the window immediately!" – The Kitchn

"Prepare to suffer from hunger pains as you visually chow down... You’ll curse the publishers for only including one book‐marking ribbon." – Saveur

"Whether you’re a novice or an expert in Mexican cuisine, you’re in good hands here." – Food52

"Mexico: The Cookbook is a sure‐fire first reference, with beautiful photos throughout. The breadth of this superb, 700‐page cooking bible is astonishing." – The Globe & Mail

"This beautiful new tome shows us there’s so much more to the country’s cuisine than our usual Chipotle order." – Metro

"Essential. Your go–to guide to Mexican home cooking." – Tasting Table

"If ever there was a comprehensive bible of Mexican food, this is it. If you know and love Mexican food, you definitely need this cookbook." – The Austin Chronicle

"I have long been an admirer of Margarita Carrillo’s work. In her new book, her warm and expert voice shines and proves to be a most delightful guide through the fascinating labyrinth of Mexican cuisine. Every cook, be it expert or beginner, will benefit and savor from this splendid Mexican cookbook with hundreds of tried and true recipes: a must for any Mexican food lover." – Pati Jinich

"For those interested in learning how to make authentic Mexican cuisine, Arronte has provided the definitive guide." – Publishers Weekly

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About the Author

Chef and restaurateur Margarita Carrillo Arronte was born into a large family who respected their deep cultural and culinary roots, and has devoted nearly 35 years to help traditional Mexican cuisine find its way to every corner of the world. She has lectured about Mexican food at schools including The Culinary Institute of America and Le Cordon Bleu; served as Vice‐President of the Mexican Conservatory of Gastronomical Culture; and acted as an official representative of Mexico for the G‐20 summit in Los Cabos. She is also a published author who has hosted several food shows for the El Gourmet channel in Mexico. Chef Margarita currently lives with her family and four dogs in Mexico City.

Most helpful customer reviews

563 of 600 people found the following review helpful.
MEXICO: A MESS OF A COOKBOOK
By David Sterling
I would like to make clear from the outset that this is not a slam against the author; it is, however, an honest and detailed critique of the editors of Phaidon Press, who seem to have been absent from work on the day this book passed through the department.

Diana Kennedy's negative comments about this book seen elsewhere in this column of reviews have nothing to do with any sort of vendetta or "sour grapes." She is upset, as am I, because of the great disservice this book does to the understanding of regional Mexican cuisine beyond the country, an understanding that Diana has worked hard to build since the 1950s. The book is full of egregious errors, cover to cover, in fact on almost every page. Phaidon seems to have spent more money paying "star chefs" and trendy consumer magazines like Vogue to provide blurbs that rev up the excitement for this mess of a cookbook than they did on the real work of production.

First, some full disclosure: I am the author of Yucatán: Recipes from a Culinary Expedition (The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere). In this critique, I will address some of the glaring errors found throughout Mexico: The Cookbook, but will mostly confine my comments to my area of expertise, which is the gastronomic traditions of the Yucatán Peninsula. I am a friend and colleague of Diana Kennedy. While I do not know Margarita Carrillo Arronte well, we did meet in early October 2014, when we both served as judges for an event of traditional gastronomy in Morelia, Michoacán. I found Margarita to be a charming and affable lady, very bright, pleasant to be around, and I have nothing against her whatsoever. In fact, all of the grave errors I will highlight in this critique (and all the rest that don't fit) I suspect are the fault of the editors of the publication; I have even pondered if perhaps the book were ghost-written, since obviously the text was not written by anyone who knows the regional cuisines of Mexico to any degree. And to be sure, the recipes were not thoroughly tested.

If you keep reading this, you will find details on many rather serious errors in recipes: some of these errors have to do with quantities, instructions, etc.; others have to do with more lamentable mistakes about the canon of Mexican gastronomy. A few reviewers in this column have written to me with their opinions and have said basically "Hey, dude, relax, don't take it that seriously. I just use the recipes as a base, then make modifications to taste." That's fine if you are making something for which you have some taste experience (maybe meatloaf?) - but for so many more exotic dishes, including Papadzules (below), if you don't know what it is to begin with, how could you possibly make these modifications? You will simply wind up with something on your plate that is anything but "authentic regional Mexican cuisine." It would be like making coq au vin from a vague recipe that specifies chicken and something alcoholic, and thinking to yourself, "Gee, I think I'll use ground chicken instead of cock, and beer instead of wine." It just won't be right - or French. Those who wish to understand authentic Mexican cuisine should be just as precise in their approach as they would be to Italian, French, Thai, or any other international cuisine.

As one quick example to satisfy your curiosity, many people know how to make guacamole; maybe they have even done it so many times they don't need to follow a recipe. Check out this author's recipe for guacamole on page 40. Maybe you will like this nice, fattening version. The ingredient list specifies "1 avocado, diced". Is the author (or editorial team) aware that avocados come in a wide range of sizes and weights? Any clues for us home cooks? This recipe is supposed to serve four. In my experience, you should plan on at least one-half medium avocado per person, unless each diner is going to be satisfied with about 1 tablespoon of guacamole. A bizarre instruction tells the cook to "gently fold in the avocado" (which you will recall was diced). No mention of mashing it? Did you ever have guacamole served tableside and watch how the waiters mash everything in the molcajete? The author-slash-editorial team instructs the cook to add 4 tablespoons of olive oil at the end of the recipe. That is one-quarter cup! Eighty-five percent of the calories in avocados come from fat, so I hardly think more is necessary, or even desired. And remember that lonely little single avocado? It has been diced, "folded in" (to 1/2 chopped red onion of indeterminate size) and now the cubes are apparently swimming in a quarter cup of olive oil! Some pop chefs like Tyler Florence may use olive oil in their guacamole, but I can aver that it is not traditional, nor even necessary, unless you want to increase your fat intake.

The recipes for Yucatán are equally messy, and quite simply incorrect. The recipe for "Turkey with black stuffing" (Pavo en relleno negro) on page 341 bears absolutely no resemblance to the dish as it is prepared in Yucatán. Putting any notions of "authenticity" aside for the moment, I pity the poor home cook who tries to make this recipe. Visualize these instructions along with me: First, the author specifies in the ingredient list an 8-pound turkey. In 2005, the USDA reported that the weight of the average turkey was 28.2 pounds. The author's recipe supposedly serves 10. Martha Stewart (if I may refer to her) says that you should purchase 1 ½ to 2 pounds of turkey per diner. So at the very least, this recipe should call for a turkey weighing about 15 pounds. Therefore, on both counts, I'm not sure where the notion of an 8-pound turkey came from. Now, back to this bird. We are supposed to stuff this 8-pound bird with 6 lbs. 10 oz. (almost 7 pounds) of ground pork! Do we really think there's room in there, since with those quantities the stuffing would be a full 87.5% of the volume of the turkey itself? In the middle of the recipe is this peculiar instruction: "Stuff the turkey with the pork mixture and the hard-boiled egg yolks and sew up with trussing thread." OK. So I have a turkey full to the rim with ground pork; where exactly are the 5 egg yolks supposed to go? Do I shove them into the opening of the bird, forcing them deep into the ground meat? Or just cluster them together at the opening? So when I serve, do I scoop out some of the pork and get all these yolks in one serving? Do I cut the yolks in half in order to give one-half to each diner? None of these details are mentioned. At the beginning of the recipe we are told to use 2 oz. of red chiles. Any kind preferred? Dried? Fresh? (And remember that chiles can vary widely in heat intensity, so the type of chile would seem to be an important detail.) Further, as another reader expressed here, no Mexican cookbook of any merit would specify something as vague as "red" or "green" chiles. Mexican cooks take chiles very seriously, and are quite specific about which to use, and when. What's more, each region of Mexico boasts its own unique chile varieties that local cooks put to good use. And I thought this was supposed to be THE definitive "regional Mexican cookbook." In another place in the recipe, the author also specifies Tabasco chiles: not only are Tabasco chiles not used in Yucatán, they are not even available. Next, we are told to put the "red chiles" along with two heads of ROASTED garlic and 25 tomatoes into a roasting pan and roast for 15 minutes at 350˚F. (The garlic should be roasted two times?) Twenty-five tomatoes are going to exude lots of juice; how are the chiles and garlic supposed to roast in all that liquid? And what, may I ask, are you going to do with those 25 tomatoes? Ah, at the end of the recipe, we slice 10 of them to use in a sauce. Did you ever try to slice a roasted tomato? Not to mention the mystery of slicing tomatoes that are going to be puréed. And let's not leave out the most peculiar instruction of all: in order to cook the 8-pound bird (filled with almost 7 pounds of ground pork) we are supposed to place the stuffed turkey in a "large saucepan or flameproof casserole." Even my largest saucepan won't hold a whole chicken of any size, let alone a turkey (albeit a dwarf one.) Most perplexing of all, this recipe for Pavo en relleno negro bears no resemblance to the dish as it is known in Yucatán. For that classic dish, cooks use a pitch black paste made of charred, ground chiles, known as "recado negro." It is readily available commercially beyond Mexico, so I can't imagine why the author didn't specify it. Note the name of the dish: "Turkey with black stuffing." There is not one step or ingredient in the recipe that will yield a black stuffing. Only the recado negro can do that. Further, in Yucatán cooks do not stuff the turkey with ground meat; instead, they form several large meatballs, each with an egg yolk in the center; the meatballs cook along with the turkey in a piquant black sauce; to serve, you cut the meatballs in half and give one half to each diner; the little hard-boiled egg yolk peeks out from the center, surrounded by graphite-colored meat. All of the rest of the instructions and ingredients are incomprehensible, and will yield, as far as I can tell, a turkey cooked in tomato sauce; Yucatecans would look at such a dish as though it had been served from outer space since there are no "turkey-in-tomato-sauce" dishes in Yucatán whatsoever.

On page 81 you will find a recipe for a classic Yucatecan tamal: Brazo de Reina (or "queen's arm"). As the name humorously suggests, this is a large, long log- (or arm)-shaped tamal, rolled jelly-roll-style and sliced. It is not - as the recipe instructs - prepared as several individual tamales (we are not told how many). Further, to serve with the tamales, we are supposed to make Chiltomate, a charred tomato sauce mashed in a molcajete that in Yucatán is only served with a couple of dishes including grilled pork cutlets and a local sausage - never with tamales. But that is not where the strangeness ends. To prepare this sauce, we have an ingredient list of "4 ripe tomatoes, 1/2 onion, chopped, 1 habanero chile . . . 1 sprig epazote leaves, sea salt." The first paragraph of the instructions reads: "For the Chiltomate, combine the tomatoes, onion, chile, and epazote leaves in a saucepan and cook over medium heat for 10 minutes. Season to taste, discard the epazote, and process the mixture in a food processor or blender." OK. Whole, dry tomatoes go into a saucepan with no liquid? I guess they are resting on a bed of chopped onions? How do you pick out wilted leaves of cooked epazote? What is the "mixture" we are supposed to pour into the blender since nothing has actually been "mixed"? A final bizarre touch is to add "habanero or Morita chiles" to the tamal when you roll it up. Not only would heat-loving Yucatecans be shocked to find bits of fiery hot chile in their tamales, but also Yucatecans never use the Morita chile, nor is it even available here to any extent. Wrong region. And to add insult to injury, the instructions have you sprinkle cheese onto the tamal before serving! Diós mío - cheese is only rarely used in Yucatán (think of all that tropical heat) and it is NEVER used on tamales. I think it might be considered a punishable offense.

Some more Yucatecan messes: First, there is no dish in Yucatán called "Yucatán-style quail in vinegar." If you wish to remain true to the regions of Mexico (as all the media hype promises, even Eva Langoria), then the author or editors should alert readers that this is an invention and not "authentic regional Mexican cuisine". Now let's follow some of the instructions: "When the charcoal is red, cover it with avocado leaves. Top with the quails and cook . . . " So, if I put the dried avocado leaves directly on the hot coals, won't they start to burn? Am I supposed to "top" the burning leaves with the quail? There is also considerable confusion about onions. Two are specified in the ingredient list: one is "large", one is just . . . regular, I guess; both are "thinly sliced." After preparing the marinade, we are instructed to "cover each bird with sliced onion." While the coals are pre-heating, we are told to cook the onions over medium-low heat. Which onions? The "large" one or the regular-sized one? Am I supposed to pick the onions off the quails that have marinated overnight and cook those in the skillet? Or should I leave them on the quails (secure with a toothpick?) before I "top" the burning leaves with the quails? (What indeed do I do with those darn onions??) Finally, the ingredient list specifies two kinds of vinegar, pineapple or apple cider (we use neither in Yucatán with any frequency) and also sugar cane vinegar (which we do use) but the instructions make no mention of which to use, and when (there are two different times when you add vinegar).

The description of Yucatán's underground oven, known as a p'íib, given on page 30 is basic at best: "A large fire is lit above a hole lined with stones." How do you light a fire above a hole? And it erroneously states that "pibil" means "buried." It doesn't. "Pibil" is an adjective that describes foods that were cooked in a p'íib. The Mayan word for "buried" is "muuk."

On page 493, there is a recipe for Papadzules. The "REGION" listed is "Guanajuato." Oh, my! The people of Yucatán (and Guanajuato) will be quite surprised to read that! This is a classic dish of Yucatán, which even a simple "Google" search will reveal. Worse still, the author/editor has you purée some stewed tomatoes with squash seeds (referred to as "seeks" in the recipe) to create the sauce; this is definitely not the way it is done in Yucatán. Instead, a squash seed paste is mixed with a simple infusion of salted water and epazote. The tomato sauce is cooked separately and spooned on at the end. In short, there are two sauces for Papadzules: one green, the other red. This is what makes me suspect these recipes were copy/pasted by editors who know nothing about the cuisine. They read something about tomatoes in another recipe, couldn't figure out what to do with them, so included them in the squash seed sauce. Even the photo in the book is wrong. Again, "Google" photos of Papadzules and you will see those iconic two sauces: the main sauce, which is always a pale green color (the natural color of the squash seeds and to some extent, the epazote) and the bright red tomato sauce. No tomatoes are ever included in the squash seed sauce; instead, as you will see in your "Google" photo, the tomato sauce is spooned over the light green sauce. There is a single sauce in the photo in the book and it is a kind of salmony color (thanks to those incorrect tomatoes.) I have shown the photo in the book to almost a dozen of my Yucatecan friends, and with no coaching, they all have the same immediate reaction: they gasp and say "¡QUÉ!??" (What!!!??? expletive deleted). Just one brief glimpse of the photo leaves them incredulous as to what on earth the editors (cooks, food stylists) have done with Yucatecans' treasured Papadzules, which have a very distinctive appearance due to those red and green sauces. Yucatecans take this "adaptation" as a form of culinary heresy, since Papadzules are considered to be the hallmark of Maya cooking and are therefore taken very seriously.

All of the other Yucatecan recipes I found were equally careless and wrong. (The author/editorial team specifies an ingredient called "black achiote paste" on page 398; good luck finding that in your ingredient searches, since there is no such thing. Achiote, also known as "annatto", is as red as blood!) Diana Kennedy and I have jointly gone through the book cover to cover and unearthed literally scores of such errors: sloppy instructions, editorial faux pas, and worse, an apparent ignorance of traditional regional Mexican dishes - or at least an inability to describe them and explain how to make them.

Now for a "short list" of editorial messes and factual errors (the fact-checker must have missed work that day, too):

INDEX: The index is impossible to use. If you want to look up a state (such as Yucatán) you will only find a couple of entries, although there are many more recipes from Yucatán scattered throughout the book.

REGIONS: Each recipe has a bold title at the top saying REGION, and then a word like "Veracruz," "Colima" "Tamaulipas". These are STATES, not regions. Readers are already confused about Mexico; please, Phaidon, don't add to the general confusion.

(In a humorous aside, REGIONS in other parts of the book have unusual descriptors. Rather than states, on pages, 471, 472 and 491 it is listed as FALTA [no, folks, "FALTA" isn't a state or a region for that matter; it means "missing" in Spanish, so someone forgot to add it]. On page 544 it says "BUSCAR QUERETARO" ["buscar" means "look it up" so someone wasn't sure which state, forgot to check, then forgot to change the text!])

PAGE 15:
- The author/editorial team list indigenous herbs, and cilantro is included in the list. Cilantro was introduced to the Americas sometime around 1580; it is not indigenous. (See William Dunmire.)

PAGE 19:
- Stew is the "more rustic cousin of mole"? They are simply two different things. And many forms of mole existed before the convent elaborations of the 17th century. Mole was NOT invented in the 17th century. (Unless you believe the only mole in the world is mole poblano . . . )
- "Huarachas"? I believe the more common spelling is "huaraches."

PAGE 23:
- "In the 1960s, Mexico's tortillerías . . . started to use machines to roll out and cook tortillas." The first commercially successful one was invented in 1947 by Fausto Celorio and they were in use almost immediately thereafter (see Jeffrey Pilcher).

PAGE 25:
- "The traditional cuisine of each region of the country is not just the ingredients, preparation methods and utensils, it is (sic) the rich legacy of its history and cultural identity." Unfortunately, the author makes no mention anywhere in the rest of the book about the cultural identity or history of the cuisine, in other words, no credit for the people who invented this cuisine. (And note the grammatical error of the missing "also". These kinds of editorial errors are common throughout the book.)

PAGE 30:
- Yucatán was ". . . heavily influenced by the European ships that stopped by for fresh water."??? Oh, dear. European ships came to Yucatán for extensive trade in logwood, chicle, and a host of other valuable products. Campeche on the Gulf Coast of the Yucatán Peninsula was a major trade port for centuries; those ships hardly just "stopped by". While the Europeans aboard those ships may have also collected fresh water, that was not their primary reason for coming here, and the statement is a great oversimplification. Also, can a place actually be "influenced by ships", European or otherwise? More editorial carelessness.
- Sorry, the habanero is no longer the world's hottest chile! That title was stolen about 2 decades ago. In 1994, the Red Savina claimed the title. It has almost 1,000,000 Scoville Heat Units while the measly habanero tops out at 350,000 or so. And since 2000, a new "world's hottest chile" is released every year or two.

PAGE 36:
- Measurement inconsistency. Masa dough: ½ cup water = 4 fl. oz. For tortillas: 1 cup water = 9 fl. oz. In truth, in the Standard US system 1 cup = 8 fl. oz.
And why for masa is it 4 1/3 cups masa harina to ½ cup water, whereas for tortillas (which also employ masa) it is 5 cups masa harina to 1 cup water? That's not proportional. Also, I beg you to try rolling dough made from masa harina using a rolling pin. Next to impossible. It has no gluten and is impossibly fragile. Stacking rolled ones between layers of waxed paper? They would stick terribly and tear apart when you try to dislodge them. Besides, raw tortillas are not made in quantities that way; each tortilla is formed into shape and immediately cooked on the comal. The cooking (even on just one side) firms them up so that you can flip them; without the cooking (even when made from proper nixtamalized maize masa) tortillas are terribly fragile.

PAGE 37:
- Tortillas de harina (wheat flour tortillas). All regions? No, we do not eat them in Yucatán, and in all my journeys throughout Mexico I have never seen them except in the north. That is, unless you go to a "northern-themed" restaurant with arrachera and that sort of thing. And why is the baking powder "optional"? Is there something I should know? To use, or not to use? Wouldn't baking powder be considered a key ingredient, and not optional? It's rather like having a recipe for French baguettes and listing yeast as "optional." (The funny reader who compared the author to Julia Child obviously never read Child, who provides completely detailed explanations and reasons for every step and ingredient.)
- Gorditas, all regions? Again we do not have anything resembling gorditas here in Yucatán. The author tells how to cook them, slit them open and "keep them warm until serving" . . . but how do you serve them? Wherever gorditas are served throughout Mexico there are a zillion different fillings and ways of finishing gorditas - none of which is even mentioned here. This recipe simply produces a thick, hollow tortilla - not a gordita.

Dear readers, I could go on and on but alas, I'm tired (and you probably are, too)! Again, I blame a lot of this on Phaidon and their editors. Look, they already have "Mexico: The Cookbook"; "India: The Cookbook" (with 1000 recipes!); "Thailand: The Cookbook"; and soon to be released, "Peru: The Cookbook", and God knows how many other "Name-That-Country: The Cookbook" projects are on the conveyor belt. (Check out very similar complaints from Amazon readers about these other books.) With this kind of "factory" mentality, it's no wonder that this book slipped past Quality Control. Pretty covers (which this book indeed has) don't make for reliable or even usable information. I'm sure Phaidon is crying all the way to the bank.

May the intelligent and thoughtful reader beware. The marketing hype for this book is over-the-top crazy! I like Eva Longoria as an entertainer as much as the next fellow, but she obviously never tried to cook from this book. And really, what an embarrassing statement to say, "All my life I have wanted to travel through Mexico to learn authentic recipes from each region, and now I don't have to - Margarita has done it for me!" Maybe Mexico should consider itself lucky that you don't have to travel here, Eva! (To get past the shame of that statement, I'm going to pretend that a PR agent wrote it for her, and not Eva herself.) (Buyer beware, too. Check out all the reviews entitled FIVE STARS with one-word "critiques" like "Fabulous!" Notice how many "FIVE STARS FIVE STARS FIVE STARS" there are in a row. I don't mean the ranking, I mean the title of the critique. There are 19 of these phony reviews as of 5 January. I would imagine these reviews are "planted" by Phaidon. And not very cleverly at that. I'm sure they have one of their interns - perhaps one of those who worked on this book - sitting at the computer cranking out the "critiques." )

Here is my apprehension: that people will read this book and think it is a good representation of "authentic regional Mexican cuisine." I hope this critique has illustrated that it falls far short of that goal. Anyone who uses this cookbook as a "bible of Mexican cooking" is on a slippery slope to culinary Perdition.

Finally, if indeed (as I suspect and hope) this book was ghost-written, or at least compiled and cut-and-pasted together by a team of 20-something Phaidon editors, Margarita Carrillo Arronte should be embarrassed to have her name attached to it. After all, she participated in the push to get Mexican cuisine designated as an Intangible Cultural Heritage by UNESCO, for which she is to be congratulated. This book undermines that great accomplishment.

71 of 75 people found the following review helpful.
Atrocious editing of such a beautiful, comprehensive cookbook.
By RDawn
This is a gorgeous looking cookbook. I love Mexican food and neon colors, so I thought this cookbook and I were meant to be. However, after reading through multiple recipes, I'm torn on whether I will actually keep the book. Full disclosure: I have yet to cook any recipe from the book. Yes, you can think that invalidates my review. Hear me out though, I am writing this review to alert people to the style and editing issues.

As mentioned in another review, there is no intro for recipes. It is the list of ingredients, region, prep/cook time, serving size, and directions. I understood this before purchasing, but I do wish there was at least a couple sentences introducing the recipe. That would greatly add to each recipe and the overall book.

Absolutely my main issue with the book is the editing/organization. I cannot begin to comprehend the poor editing and how this made it to publication with all the issues (not just 1 or 2...). For example: pages 550 and 611 are the SAME recipe (Corn cake with eggnog sauce). Except the recipe on page 611 is only titled Corn cake, but in the directions it tells you to make the eggnog sauce. Too bad it doesn't even list the ingredients for the sauce, so you have to turn back to page 550, which is actually the correctly edited version of the cake. The Veracruz-style fish recipe on page 253 lists the ingredients and directions to make a spice infusion. However, it never tells you when to use it. Do you use it in the sauce or to marinate the fish? If so, when and how much? Under the "To serve:" ingredients olives are listed twice (1/2 cup olives vs. 12 pitted green olives, sliced). What does that mean? Do you need two separate types of olives. If so, is the first olive listed a black olive? In addition, it annoys me when the accompanying photo doesn't match the recipe; the recipe says to use red snapper fillets, yet the photo is a whole red snapper. I mean seriously come on now...

That is just two examples of numerous editing mistakes I've seen: ingredients missing yet called for in directions, different ingredients in directions than listed in the ingredients list, missing directions altogether, etc. Also the organization is just weird. Why list two separate "Day of the Dead" bread recipes with 4 recipes between them. You should list them with one right after the other. That way a reader can easily compare and contrast the difference between the two recipes.

So overall like I said, I don't know if I'll keep the cookbook. I am a very experienced cook but not with Mexican cuisine. Hence me buying the book. If you are very experienced with Mexican cuisine then this could still be a great cookbook for you. Overall the recipes look and sound fantastic. Part of me wants to just keep the book and fix the mistakes as I make the cook my way through it. It's just so frustrating to spend nearly $30 on a cookbook for it to be so poorly edited and put together. Either information needs to be published online addressing all the errors or a second (fixed) edition should be published.

75 of 83 people found the following review helpful.
Mexico The Cookbook – Organizational Mess
By Old Gringo
I’ve got some real issues with the organization with this book. They throw around terms and processes like you’re already intimately acquainted with them- like dry roasting peppers. A dried pepper is roasted differently from a fresh one and there is simply no guidance in the book as to how to do it, for how long, if some are done differently than others, etc. I am somewhat knowledgeable about Mexican cooking, having grown up in Arizona, spent time in Mexico and read Diane Kennedy’s books (which I recommend heartily). Beans, first entry in the index is page 12. The word bean doesn’t even appear on page 12. What’s with that? The Bean section just starts out willy nilly. You would think they would start with the basic bean recipe (pinto beans) which is the base step on a lot of bean recipes and then branch out into more complicated ones. But no. You find the base recipe in between more complicated ones. I still haven’t found the base recipe for black beans but it may be buried somewhere in there. The author also tosses out the term Chorizo without any explanation- within Mexico there are many types of Chorizo. Which one is she referring to? Maybe she’s referring to Spanish Chorizo which I’ve encountered in Mexican dishes from time to time. Who knows?

So in conclusion if you are new to Mexican cuisine this is definitely not the book for you. I suggest Diane Kennedy’s books for that. That said the recipes, the ones I can interpret anyway, look inviting and I will be trying some of them.

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Selasa, 21 Desember 2010

[M638.Ebook] Free PDF The Biker's Milkmaid, by Landry Michaels

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The Biker's Milkmaid, by Landry Michaels

Kat is a happy new mother, but a very unhappy wife. Resigned to her life with a cruel husband, Kat sets out to make the most of the weekend she must spend with the Red Devils, a violent motorcycle gang that her husband joined just a few months earlier.

While Kat expects to submit to the rules of the club, which includes being shared among the many men who ride in it, she never expects to garner the sole attention of the gang’s sexy leader: a mysterious man with a taste for mothers’ milk.

Secure under Ben’s thirst and protection, Kat experiences kindness, affection, and sexual fulfillment like she’s never known. She soon discovers that she is not the repulsive whore her jealous husband would have her believe, but a decent woman worthy of love and respect.

However, even Ben’s powerful position can’t stop the vicious betrayal that is coming their way — a desperate and dangerous act that might ultimately tear Ben and Kat apart.

  • Sales Rank: #173799 in eBooks
  • Published on: 2015-08-12
  • Released on: 2015-08-12
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Nice
By harr4563
Great short story,fast read keeps your attention from beginning to the end, looking forward to more from this author continue writing great stories

0 of 0 people found the following review helpful.
The biker and milkmaid
By Joy Belle
Well entertained! Liked the story. I rushed home to complete this book and also bought the next book in the series.

1 of 2 people found the following review helpful.
Loved it!
By Latice
People live there live in different was. It wouldn't be so hard to believe this was truly possible. Use your imagination and enjoy.

See all 5 customer reviews...

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Senin, 20 Desember 2010

[G883.Ebook] Free PDF Milady's Standard Professional Barbering, by Milady

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Milady's Standard Professional Barbering, by Milady

Milady's Standard Professional barbering is the primary resource for Barbering students preparing for their state licensing exam and a successful career in the professional market. It is the only textbook available that offers an integrated set of supplements to enhance the teaching and learning process. This new edition is the most stunning and versatile barbering education tool in the industry. Packed with hundreds of brand new full-color photos and procedures, students will be provided with the latest in infection control, hair replacement technologies, career preparation instruction and step-by-step shaving. Milady has been the trusted choice of Barbering educators for nearly sixty years and this new edition continues that trend with in-depth and engaging coverage of the most current topics in the profession.

  • Sales Rank: #61927 in Books
  • Published on: 2010-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.25" h x 9.00" w x 1.25" l, 4.85 pounds
  • Binding: Hardcover
  • 848 pages

Review
"The experience given in the tips will be invaluable to up and coming barbers; they offer tremendous insight about the heritage of Barbering. A look back at the traditions and manner in which barbershops work will give the new generation of barbers a sense of belonging to a profession that has had continuous growth throughout history. This text offers a bedrock of knowledge that should be handed down to these young men and women."

"We all want our student barbers to absorb as much information on haircutting as possible so they can saturate themselves in this art form. This book gives them basic foundational theory to use as they become more aware of their barbering environment."

"The information is current, and a student who is enrolled in an entry-level program will find the information easy-to-understand, and will be able to implement the services with ease."

"The authors writing style is easy to read and flows from one topic to the next. The language use is very understandable and direct."

About the Author
Milady is the leading provider of comprehensive cosmetology educational and professional solutions for over 80 years.

Most helpful customer reviews

23 of 23 people found the following review helpful.
Better options exist for much less.
By Aron Eidelman
This was the textbook recommended by my school, and I think most State Boards recommend it.

Thanks to being a textbook, it's extremely expensive. I read it front to back, and felt that I got either the same or even better information from free and inexpensive sources.

If you want a version that's 10% the price, but at least 60 years older, try "Practice and Science of Standard Barbering" by Sidney Coyne Thorpe for less than 20 bucks. http://www.amazon.com/gp/product/1407657216/ref=cm_cr_ryp_prd_ttl_sol_2

The only parts that are slightly more up to date in this version are the haircut exercises and several heat and chemical procedures—which barbers mostly never perform.

If you'd like to learn more about haircutting, I recommend starting with Scissors and Comb Haircutting. http://www.amazon.com/gp/product/0916819019/ref=cm_cr_ryp_prd_ttl_sol_15 Then, to learn barbering techniques such as scissor-over-comb, blending with clippers, and various razor techniques, check out Greg Zorian's Master of Barbering (or, Howtocuthair.tv). These are less than half the price combined, and I felt silly buying this textbook before them.

If you'd like to learn more about the structure of men's hair and how it grows, ignore the disconnected bits of anatomy in this textbook. Check out The Men's Hair Book. It even has recipes for homemade shampoos. http://www.amazon.com/Mens-Hair-Book-Grooming-Products/dp/1482783339/ref=sr_1_1?s=books&ie=UTF8&qid=1426784533&sr=1-1&keywords=men%27s+hair

All in all, you can get a comprehensive education with far more relevant information for less than $100.

If the publishers want some direct feedback:

- Make the anatomy and biology sections more relevant to barbering. Don't just tell us what types of bacteria exist. That's what 11th grade biology is for. Tell us how there's a risk of spreading each one in a shop. Give us case studies. Tell us how their transmission is different. Likewise, relate the anatomy sections more directly. We need to know these muscle groups because we will be manipulating them with massages, and we need to know the neck muscles to avoid injuring clients when turning their heads. Make that the primary learning objective, rather than some rote trivia game.

- The haircutting section needs to be at least twice as big. It's very difficult to keep up with modern styles, but there should at least be some explanation of how one blends with clippers. There isn't. Changing the angle of the clippers, holding the comb differently, changing the size of the blade—these can all be incorporated into the existing procedures you have. The reality is that a person simply cannot start cutting hair after reading your chapter, whereas after reading other books, they can. Learn from those books.

- The shaving section is egregious. This is a problem that extends to the State Boards. We have known that men have different growth patterns and that those patterns must be followed for over a century, yet this fetish with the 14 strokes persists. Teach us how to shave humans, not theoretical dummies. If we were to use the 14 strokes as they are on a practice client with reverse beard growth in sections 2 and 7, it could cause an injury if the hair is thick enough. Likewise, a LOT of men do not have any upwards growth on their lower neck; given how sensitive the area is, it would be wiser to emphasize going with the grain.

- The price for the Kindle version should not be so high. That's abnormal, and considering how good the competition is, it's worth it for you to adjust.

0 of 0 people found the following review helpful.
Great book to learn from
By cassius crittendon
Great book to learn and teach from

4 of 4 people found the following review helpful.
Comprehensive
By Just My Opinion
I teach a combined barbering/cosmetology course. The book is quite comprehensive. I only WISH that the publishers would coordinate the segments of this book with Milady's Cosmetology that overlap to make it easier to teach both together as some of the material is the same.

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Selasa, 14 Desember 2010

[P469.Ebook] Ebook Free The Political Life of Sensation, by Davide Panagia

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The Political Life of Sensation, by Davide Panagia

The taste of chocolate, the noise of a crowd, the visual impressions of filmic images—such sensory perceptions are rarely if ever discussed in relation to democratic theory. In response, Davide Panagia argues that by overlooking sensation political theorists ignore a crucial dimension of political life. Drawing on Gilles Deleuze’s and Jacques Rancière’s readings of Kantian aesthetics, Panagia posits sensation as a radical democratic moment of aesthetic judgment. He contends that sensory experience interrupts our perceptual givens, creating occasions to suspend authority and reconfigure the arrangement of a political order.

Panagia claims that the rule of narrative governs our inherited notions of political subjectivity and agency, such that reading and writing are the established modes of political deliberation. Yet the contemporary citizen-subject is a viewing subject, influenced by film, photos, and other perceptual stimuli as much as by text. Challenging the rule of narrative, Panagia analyzes diverse sites of cultural engagement including the visual dynamics portrayed in the film The Ring, the growth of festival culture in late-fifteenth-century Florence, the practices of convivium espoused by the Slow Food movement, and the architectural design of public newsstands. He then ties these occasions for sensation to notable moments in the history of political thought and shows the political potential of a dislocated subjectivity therein. Democratic politics, Panagia concludes, involves a taking part in those everyday practices that interrupt our common modes of sensing and afford us an awareness of what had previously been insensible.

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Senin, 13 Desember 2010

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This SAM consists of workbook and lab manual activities with skill-based approach to vocabulary practice and grammar practice (single-response, semi-controlled, and open-ended practice), written specifically to be catered to the needs of the heritage speaker, as well as reading and writing steps for a complete composition. The Cuaderno also features its own video program for additional practice.

  • Sales Rank: #460591 in Books
  • Published on: 2013-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.50" w x .50" l, .70 pounds
  • Binding: Paperback
  • 224 pages

About the Author
Fabián A. Samaniego earned his B.A. degree at New Mexico State University and completed his graduate work at the University of Iowa. He taught four years at Utah State University before going to the University of California at Davis, where he served as coordinator of the first-year Spanish program and supervisor of teaching assistants for 24 years. He also served as assistant director of several Foreign Language Competency projects for the Los Angeles and San Francisco Unified School Districts, and for the Santa Clara and Sacramento County Offices of Education. In addition, he served on the steering committee of the California Foreign Language Teacher Preparation Project and on the California Foreign Language Project Policy Board. He is frequently asked to conduct in-service workshops for schools and universities across the country. Samaniego's first-year college text, DÍMELO TÚ!, is in its sixth edition, and his intermediate text, MUNDO 21, recently published in its fourth edition. He is a co-author of LANGUAGE AND CULTURE IN LEARNING: TEACHING SPANISH TO NATIVE SPEAKERS OF SPANISH and of DIME!, a seven-book school series that includes a two-year native Spanish speaker's program: Tu mundo and Nuestro mundo.

Francisco Rodriguez Nogales is an Associate Professor of Spanish in the School of Modern Languages at Santa Barbara City College. He is a specialist in the use of technology in foreign-language teaching and online instruction--his teaching load has been 100 percent online for the past five years. He also has developed several Spanish assessment and placement tools. Nogales was born in Pedrera (Seville), Spain. He completed his bachelor of arts at the Universidad Pontificia Comillas in Madrid, his master's at San Francisco State University, and his Ph.D. at the University of California at Davis.

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0 of 0 people found the following review helpful.
Good purchase
By Interested In Language
Good service and good merchandise.

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