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When a princess who behaves like a dragon meets a dragon who behaves like a princess, who knows what will happen! This is suitable for discussion of preconceptions and gender roles.

• Sales Rank: #389438 in Books
• Brand: Brand: Child's Play International
• Published on: 2002-09-29
• Original language: English
• Number of items: 1
• Dimensions: 10.46" h x .14" w x 9.56" l, .50 pounds
• Binding: Paperback
• 32 pages

Features

• Used Book in Good Condition

Review
The Princess and the Dragon is beautifully illustrated with big, funny pictures. The book helps you realise that people are not always like you imagine them to be. The Princess was quite naughty and not very gentle but she met a dragon who was very gentle and liked ballet! So they change roles with hilarious results.--Tracey "Betty Bookmark "

From the Publisher
- Provides imaginary explanations for natural occurrences. - Contains humor. - Discusses the importance of individuality and brother and sister relationships. - Provides alternative possibilities for real life situations. - Combines fantasy and real-life experiences (tying shoes, losing teeth, etc.) - Fosters story-telling skills through familiar experiences (children can re-tell these

stories very easily as the topics are meaningful to them) - Uses vocabulary to communicate feelings and stimulate imagination. - Discusses many emotions and feelings important to children (e.g. frustration of not

being able to tie laces or feeling left out when the tooth fairy visits brother and

sister.) - Develops the ability to identify a problem and find the solution.

About the Author
Audrey Woodis theauthor ofmany beloved books for children, including the bestselling classic"The Napping House", its companion "The Full Moon at the Napping House, " Caldecott Honor Book "King Bidgood's in the Bathtub", "HeckedyPeg", "Piggies, "and "Piggy Pie Po", all of which wereillustrated by her husband, Don Wood.The Woods divide their time between California and Hawaii.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Very fun!
By Beth R.
This is the story of a non-traditional princess who hates doing all "princessly" things and a non-traditional dragon who hates doing all "dragonly" things. They realize that they will be much happier if they trade places, so the dragon lives in the castle and is a perfect princess, and the princess lives in the cave and terrorizes the villagers.

I got this book because I work in speech pathology and had a speech student who needed to work on using "she" for all female beings. He also loved dragons, sword fighting, and castles. He really enjoyed this story, and we had fun talking about the characters, what could happen next, and whether the characters were making good choices. It doesn't have a lot of words, the pictures provide a lot of material for discussion, and the book is short enough for 5-10 min of reading and talking. Definitely added it to my list of options for therapy.

2 of 2 people found the following review helpful.
I liked it!
By dryd
This nasty princess isnt who everybody thinks she should be, neither is the sweet, well mannered dragon! They trade places and have ball. It teaches that you can be yourself and be happy, also gives some insight into others views. You dont have to be perfect or how others want you to be.. There are perks to being kind and polite though. My kids decided it would be a better choice to be a friend.

2 of 2 people found the following review helpful.
Fantastic book for toddlers and up!
By Austin Mama
My 4 year old daughter and 8 yr. old son love this book! I have been reading it to them since he was 3 or 4 and they both love the switch of the princess-like dragon and the dragon-like princess. It allows them to feel like it's ok to be who they are. I think it helps them understand that being angry doesn't mean you are a bad person. The princess likes to be rough and tumble, and she's ok just as she is and so are all the children of the village when they want to escape and be with her, too!

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• Sales Rank: #844808 in Books
• Published on: 2015-10-16
• Original language: English
• Dimensions: 9.02" h x 5.98" w x .0" l, .0 pounds
• Binding: Hardcover
• 666 pages

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• Sales Rank: #714113 in Books
• Brand: PRENTICE HALL
• Model: FBA-|287157
• Published on: 1999-01-15
• Original language: English
• Number of items: 1
• Dimensions: 11.14" h x .53" w x 8.68" l, .0 pounds
• Binding: Hardcover
• 200 pages

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Science Explorer Cells and heredity
By A Customer
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• Original language: French
• Number of items: 1
• Dimensions: 6.69" h x .79" w x 9.65" l,
• Binding: Paperback

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• Sales Rank: #594385 in Books
• Brand: Brand: Zoetic Books
• Published on: 2002-10
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 6.00" w x .75" l, .57 pounds
• Binding: Paperback
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This volume introduces the essentials for developing a basic knowledge for drawing various guns, accouterments, and the mechanics of combat planes and warships. Not only will this volume become the artist's brave ally, but it is also enjoyable by non-artists simply as reading material and a source of information and knowledge.

• Sales Rank: #118001 in Books
• Brand: Animewild
• Published on: 2003-10-01
• Original language: English
• Number of items: 1
• Dimensions: 10.10" h x .50" w x 7.20" l,
• Binding: Paperback
• 136 pages

Features

• Officially Licensed

Most helpful customer reviews

36 of 36 people found the following review helpful.
Good Reference For Weaponry
By Amanda
Like most of the How to Draw Manga series, this is more of a reference guide then a book on how to draw. The cover says Guns and Military, but it's mostly only guns (although it does have about 3 pages dedicated to Russian, Japanese and American police uniforms). It has over 22 different types of guns, and gets very detailed as with the types of bullets the gun uses, who uses them, and how to a person would aim them. You probably shouldn't get this unless you have some experience in drawing, since as I said this is a reference guide and it only shows drawings of what the guns look like, not how to draw them.
The types of guns shown in this book are:
Walther PPK
Parabellum P08
Beretta Cougar
Walther P38
Heckler & Koch P7M13
Beretta M92SB-F
Kalashinikova AK-47
Schmeisser MP40
S&W M29
Glock 17
Wildey .45 Magnum
Nambu Taisho 14
Gyrojet
Makarov
Remington M31 Riot Shotgun
Colt SAA (Single Action Army)
Nambu Type 94
C96/M1916
M1908 Pocket .25
Colt Third Model Dragoon
Webley & Scott MK. VI (IV)
Sten Mark II

0 of 0 people found the following review helpful.
Lock Stalk And Barrel
By AF
This book is really great for anyone wanting to include guns or other military realted tools in their manga or stories. The book is very well done and the pictures are accurate. The author has also included useful information about diffrent types of guns, ammunition, fireing styles, gun modifications used by shooters around the world. The other great thing about it is it is layman friendly, the author goes through alot of information that will help you better understand how guns work and why diffrent modifications and ammunitions are uses for diffrent purposes. Besides guns the book also cover accessories and some military uniforms from diffrent countries. Again I have to comment on the accuracy of the information. I've seen firearm encyclopedias that don't cover as much as they do in this book. It is really work getting.

3 of 3 people found the following review helpful.
Nice Details, Good Book
By A. C.
I really enjoyed this book. It is great for learning how to draw weapons, not just anime style, but any style. This book really has little to do with anime. But the weapons are great. There are many different angles and bits of information, like how many bullets they use, what country used them and when, etc. My only complaint would be the lack of futuristic weapons. Also, don't expect knives or swords. It's just a book of guns (and some random motorcycles).

See all 8 customer reviews...

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[L297.Ebook] PDF Download Logo, Font & Lettering Bible, by Leslie Cabarga

PDF Download Logo, Font & Lettering Bible, by Leslie Cabarga

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Logo, Font & Lettering Bible, by Leslie Cabarga

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Put the power to design logos and type in your own hands!

Why be a designer who must rely upon preexisting typefaces and clip art when you can become the kind of designer who creates logos, fonts and lettering of your own? Leslie Cabarga, author of the bestselling Designer's Guide to Color Combinations, has created a textbook of type for the experienced graphics professional as well as the beginning student of design.

You'll learn how to:

• Create innovative logo design traditionally and on the computer
• Develop a discerning eye for quality lettering and logo design
• Design your own custom-made fonts
• Build a profitable business as a logo, font and lettering designer

It's the most comprehensive treatise on logos, fonts and lettering available!

The easy-to-read, fun-to-browse, picture-heavy format makes learning to letter a snap. The Logo, Font & Lettering Bible provides the start-to-finish information you need to succeed in today's competitive design market.

• Sales Rank: #144438 in Books
• Brand: HOW Design
• Published on: 2004-03
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .90" w x 8.50" l, 2.69 pounds
• Binding: Hardcover
• 240 pages

Features

• Used Book in Good Condition

About the Author
Leslie Cabarga has been an illustrator, graphic designer and font designer since 1975. He has authored over two dozen books on design including The Designer's Guide to Color Combinations, The Designer's Guide to Global Color Combinations and Learn FontLab Fast. As an illustrator he's drawn covers for Time, Newsweek, Fortune and National Lampoon. He has designed numerous fonts, such as Magneto, Streamline, Raceway and the Love and Peace family of psychedelic fonts.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Crammed with valuable insights + hard-to-find information from a veteran
By Amy
As a long-time typography- and design-lover, I was thrilled to discover this book.

Here's why:

1. Cabarga worked as a type designer before and after the digital age. As such, he has a strong foundation in the mechanics of typography.
2. He shares a historical perspective of type, which is critical to truly understanding what works and what doesn't, and why. (If you're not a history buff, don't worry. He touches on it just enough to offer clarity into why it's relevant now.)
3. If you've ever wondered why certain fonts just don't look right, but aren't sure why, you'll understand by the end of this book.
4. Graphic designers tend to be weak in the area of typography. EVERYONE needs a strong foundation in this area. This book is offers that foundation.
5. Before I read this book, I had a hard time translating what was in my mind into what appeared on the computer screen. This is HUGE for me. It has transformed my design.
6. If you get frustrated with beziér curves, Cabarga simplifies those with screen shots and concise tutorials.
7. Illustrator's pathfinder palette no longer makes me want to pull my hair out. (I'm pretty sure his tutorials will be helpful regardless of what version you are running.)
8. For anyone who's a newbie trying to break into the freelance world: You will also find answers and direction from someone who's been there.

And of course I read the negative reviews of this book. My thoughts:
1. READ the book. Note its CONTENT.
2. The book is divided into four parts. It has a table of contents to guide you if you are overwhelmed by the layout inside. Yes, the layout is random. The images are many (but necessary).
2a. I prefer a more spare design. I also detest $30 books with so much white space, so much focus on design, that most of the information is edited out to fit the book into xxx pages.
3. Yes, it is crammed with information. It's like getting four books in one. Does that suck? No, it does not.

I can't begin to do a review that will do this book justice. There's just too much content to cover.
In a nutshell: the book is easy to read, funny, informative, and worth every penny. And then some.

5 of 5 people found the following review helpful.
Do as he says, not as he does
By Monica Wu
The graphic design of this book is horrendous, and it has one of the most poorly designed covers I've ever seen. A lot of the examples inside are really goofy too, and really not something you want to imitate professionally.

Nevertheless, after giving this book a second shot, I've found it really invaluable. Apparently it's one of the few books (only book?) out there that teaches you, step by step, how to digitally modify and create type . He has some great illustrator tricks and teaches you how to do different lettering effects. It's really broken me out of my comfort zone--before I was stuck using existing typefaces, and now I can pretty effectively knock out hand-done lettering.

7 of 8 people found the following review helpful.
Candy store for creative minds (recommended)
By K. Williams
Yummy! With humor, clear illustrations, and useful suggestions, Cabarga provides a wonderful resource for anyone who wants to be a letterer, illustrator, font or logo designer. But this hardbound book is not just for "wanabes." I found it includes comprehensive coverage of most everything learned throughout 30 years in the same disciplines along with new valuable timesaving tips. If I had the patience and tenacity to attempt such a compilation, it could be no more complete and not nearly as well presented as LOGO FONT & LETTERING BIBLE. My essay can now be reduced to three words: "What he says."

Leslie Cabarga, a talented illustrator and designer in his own right, does not limit examples to his own. World-renowned artists such as Gerard Huerta, Michael Doret, Tim Nikosey, Tony DiSpigna, and Seymour Chwast -- four dozen in all -- contribute to the wealth of inspiration. In the 1980's I had the privilege of working with uncles for one of these typography leaders -- producing over 200 hand-lettered packaging logos. It was there that I first saw an original triple outline inking of flourished letters by Gerard Huerta and was privileged to study a fraction of the techniques used.

Cabarga urges readers to become critics of their own work. This also reminds me of employment at the Huertas. A bulge could occur when joining curves using technical pens. After working on it for a while and thinking to myself "It's good enough," this infinitesimal area would be the first thing the creative director would point out. After admitting that I saw it too, he remarked, "If you saw it, why show it to me?" I quickly learned to be obsessively concerned about adjoining curves. Ink bulges may not be a problem today with digital lettering but there are other telltale signs of an amateur. Cabarga shows what to look for.

Your eyes are in for a tasty treat. Beautiful examples of calligraphy, and their influence on Roman font characters, are well demonstrated and discussed. But the book is by no means limited to calligraphy. Cabarga patiently differentiates cartooning, illustration, logo design, icon artwork, trademarks, and font design. LOGO FONT & LETTERING BIBLE compares digital tools such as the now defunct Macromedia FreeHand (my past favorite), Adobe Illustrator (which has supplanted the former), the seemingly forgotten Mac OS 9 version of Macromedia Fontographer (which in 2005 was integrated into the FontLab line of digital typography tools and updated to Mac OS X -- hooray!), and the preeminent FontLab.

LOGO FONT & LETTERING BIBLE covers the history of typography and encourages users to build a library of signage photos and magazine scraps for inspiration. Each subject I thought might be overlooked was eventually covered. Even esoteric techniques such as what I refer to as character ink reservoirs (called clog reduction on page 115) are here. Skeleton Strokes on page 152 demonstrates wonderful timesaving suggestions for digital lettering. Optical character spacing and stroke widths are discussed in detail beginning on page 112. Do you want to learn how to clean up the best scans for converting drawings to vector art? Jump over to page 158. Everything you want to know about Bezier (pronounced "Bez-zee-ay," thank you) curves but were afraid to ask is, well, practically everywhere but particularly in the section Bezier Curves for Cowards that begins on page 140.

Mississippi readers will approve. Just as I was thinking, the author needs to demonstrate how to arch text on a path (FreeHand did a better job than Illustrator), I turned to page 191 and, bam! There it is. The comparison on page 226 of residual shape differences in Illustrator and Fontographer after Bezier points are removed from a path is insightful. Not to leave you hanging, the book concludes with suggestions for getting work, building a portfolio, and negotiating fees. Additional resources and a helpful index rounds out 240 pages, which, like all trips to a candy store, seem to end too soon.

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