Senin, 31 Desember 2012

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Fireball: Carole Lombard and the Mystery of Flight 3, by Robert Matzen

This fresh look at Hollywood's "Queen of Screwball," Carole Lombard, presents a first-ever examination of the events that led to the shocking flight mishap that took her life on the side of a Nevada mountain in 1942. It also provides a day-by-day account of the struggles of Lombard's husband, Clark Gable, and other family, friends, and fans to cope with the tragedy. In effect, having just completed the first sale of war bonds and stamps in the nation following its entry into World War II, Lombard became the first Hollywood start to sacrifice her life in the War. The War Department offered Gable a funeral service with full military honors, but he refused it, knowing that his wife would not approve of such spectacle. Based on extensive research rather than gossip, this investigation further explores the lives of the 21 others on the plane, including 15 members of the U.S. Army Air Corps, and addresses one of the most enduring mysteries of World War II. On a clear night full of stars, with TWA's most experienced pilot at the controls of a 10-month-old aircraft under the power of two fully functioning engines, why did the flight crash into that Nevada mountainside? This gripping page-turner presents the story of the people on the plane, the friends and families left behind, and the heroic first responders who struggled up a mountain hoping to perform a miracle rescue. It is a story of accomplishment, bravery, sacrifice, and loss.

  • Sales Rank: #131009 in Books
  • Published on: 2013-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 6.25" w x 1.75" l, 2.00 pounds
  • Binding: Hardcover
  • 400 pages

Review

"Devoured Fireball in a single day while recuperating from the Toronto International Film Festival. Fantastic job of research, served up as a real page-turner. It would make a great movie."  —Lou Lumenick, chief film critic, New York Post

"Rather than dwell on the superficial or get bogged down on the sensational aspects of the story, Matzen treats the subjects like real people, getting right to the heart of the men and women the story revolves around. It all culminates in a single, horrible night on a cold dark mountain in Nevada. But that’s not the whole story. Thankfully, Matzen gets deeper into the personalities than others might, and in doing so he makes the book worth reading."  —Jamie Beckett, General Aviation News

“Fireball is a gripping, harrowing biography about Lombard and the tragic plane crash that ended her life. Robert Matzen explores the other members of Flight 3, fleshing out a story that wasn’t all Lombard’s. Fireball is an exhaustive examination rendered with all the sincerity and honor it deserves.”  —Journeys in Classic Film

About the Author

Robert Matzen is a former federal contractor for NASA who now specializes in Hollywood history. He has appeared on BBC 2 and BBC Radio 4. He is the author of Carol Lombard: A Bio-Bibliography and Errol & Olivia and the coauthor of Errol Flynn Slept Here. He lives in Bethel Park, Pennsylvania.

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137 of 140 people found the following review helpful.
Compelling Story That Comes Together In A Most Interesting Way
By R PRIUS
I initially read the digital version of this book compliments of NetGalley. The opinions expressed here are solely my own.

Compelling, exactingly correct, suspenseful, detailed, visual and well-written. All these words came to mind as I read and then reread Fireball. This book is an interesting hybrid that combines the accurate and truthful personal life story of actress Carole Lombard and the events that lead to her early death in January, 1942 as the result of a plane crash.

I'm a long time fan of Lombard's and was curious when I saw this as an offering from NetGalley. Since I have access to detailed information about this air disaster that isn't in the public domain, I wondered how accurate this book would be and how it would be constructed.

Seventy-one years after her death, Lombard is remembered primarily by fans of '30's and '40's American cinema or her death at a young age. Her films frequently are shown on cable network Turner Classic Movies (TCM) and are available on DVD. Lombard is also remembered as the third wife of film icon Clark Gable. Lombard and Gable were the Jolie and Pitt of their time. Gable may still remembered for his long and productive career, but at the time of Lombard's death they were both top box office draws. While they shared on screen pairing in 1932, a chance meeting at a party four years later lead to a fabled romance that was not without difficulties (such as Gable's second wife) and then finally marriage. In January, 1942 Lombard was one of the first film stars to use her celebrity to sell war bonds at what would come to be known as a Victory Drive. Lombard concluded the drive in her home state of Indiana. Her presence had brought people out in droves and she wanted to return to her home base in California as quickly as possible for personal reasons. Her traveling companions included her mother Bess Peters who absolutely did not want to travel by air and P.R. rep Otto Winkler who also had a very good reason for not wanting to fly.

As I started reading Fireball, it struck me that I liked the way author Robert Matzen conceived this project. Executed as part biography and part anatomy of an air disaster, the author constructed a factual biography that was not embellished with the typical Hollywood speculation though it certainly addressed a lot of the myths concerning Lombard's life and the subsequent crash in the Nevada mountain range ended it. This book relies heavily on personal interviews from family, friends, and associates of Lombard and the information regarding the crash of TWA Flight #3 comes from public records, investigation findings, and eye witness accounts from observers such as people who witnessed the fireball created when the plane slammed into Mt. Potosi as well as members of the crew involved in the recovery effort, and employees at the airport in Las Vegas.

Aside from the fact that Mr. Matzen has his story right down to the smallest detail, the end result of alternating between biography and the events covering the plane crash, recovery efforts, and its aftermath which included a detailed investigation are suspenseful. I knew the outcome when I began this book and found that the momentum continued to build as I read on. This was quite impressive and absolutely enhanced this book from my perspective.

As for the biographical information, there were a lot of details which I was not aware of. In retrospect, myths such as Lombard's relationship with crooner Russ Columbo started making sense despite the fact that reality was greatly at odds with the myths. Additionally, there has been plenty of theories concerning the crash itself. One popular story that was favored was sabotage by Nazi spies. J. Edgar Hoover endorsed this one for awhile and Orson Welles floated this version while he held court during extended booze fueled lunches until his own demise.

I liked the way the author handled the plane crash. While Lombard was the best known person on the flight, Matzen created a broader story about the 22 lives that were lost on the flight. The individual stories varied and included a young wife who wanted to get home to her husband and a world famous musician who fortuitously dodged an unenviable fate by being bumped from the flight.

There is so much more that I could say about this book. I loved it. It was well written and nearly impossible to put down. While I had my digital copy from NetGalley, I bought extra copies as gifts for myself and others. The hard copy includes new additions such as a larger photo gallery and an interview with a woman who was bumped from the flight in Albuquerque which for me brought this story full circle.

76 of 79 people found the following review helpful.
Fireball died in fireball
By Rikki White
I like to read about film stars and so do lots of readers judging by the means the media use to get every little detail about the lives of celebrities...Carole Lombard was the typical great star at the height of the golden age of movies. She was married to the King of Hollywood, Clark Gable, a man who adored her devil may care attitude to life. She had it all and what she wanted, she got, which ultimately resulted in her untimely death. The Fireball died in a Fireball which was totally avoidable for her and her travelling companions who were desperately against the flight she insisted upon, but couldn't prevail against her determination to get home to Clark as quickly as possible. The reason being Lana Turner who was filming with the King and, though he adored Carole, he had a roving eye and jealousy reared its head in Carole's mind. She knew that fidelity was rare in Hollywood and the casting couch reigned supreme. After all, she herself had reached the pinnacle the same way. Her studio told her she must not fly, A contingent of army personnel were given priority and she was ordered to give up her seat, but she threw her weight around, she was after all a famous movie star, and was permitted to remain on the flight on which she perished.

The author has researched her life so thoroughly, the feel of the book is that he was a witness to everything that went on. All these events happened more than 70 years ago, but it's like it was yesterday. A very well written account of an incredible life and a very enjoyable read.

56 of 62 people found the following review helpful.
Fireball
By S Riaz
This book is part biography and part the story of a tragic accident, in which actress Carole Lombard and twenty one other people lost their lives. Much of the wreckage of TWA Flight 3, the commercial airliner which crashed on the evening of January 16th, 1942, is still strewn across the side of Mount Potosi in Nevada. The author actually climbed to the crash site and it took him four and a half hours to ascend the steep mountain slope. It can only be imagined how hard it was to mount a rescue mission on that dark night, so long ago.

However, despite so much time passing, the author does a wonderful job in recreating those events – tracking down living eyewitnesses and accounts from people that were there. He tells of how the plane was refuelled at McCarren airfield in Los Vegas, where it took off without problems; heading for the Birbank Air Terminal, where Clark Gable, Lombard’s husband, and the wife of the Hollywood publicist accompanying her, were waiting for the plane. Lombard should not have even been on board, having promised not to fly. As well as being accompanied by publicist Otto Winkler, she was also with her mother – who had made her promise to travel by train, due to her fear of flying. Desperate to get home quickly, Lombard insisted on taking a flight. Her mother, Elizabeth Peters was a student of numerology and begged her not to take the plane. Three was apparently an unlucky number and they were taking Flight , arriving at Indianapolis at 3am, there were three of them flying and her daughter was 33 years and months old... The omens were not good. Once aboard, they were even asked to disembark, to give priority to service personnel; but the actress insisted that she was doing valid war work, travelling the country selling bonds and fundraising for the war effort and they were allowed to re-board.

This book gives you a biography of Carole Lombard, plus gives information on the other passengers. These included a young army wife, going to join her husband, several passengers from the US Army Air Corps Ferrying Command, flying bombers to be delivered overseas and, obviously, the crew. After the accident there was a desperate rescue attempt, in difficult conditions. The book follows what happened, the investigation and asks why the accident happened. It is a very readable account of a tragic event and the author gives an amazingly detailed account of what happened and the people involved.

Lastly, I received a copy of this book, from the publisher, for review.

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Jumat, 28 Desember 2012

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  • Published on: 1971-07-29
  • Binding: Hardcover

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[E319.Ebook] PDF Ebook The Best Christmas Songs Ever (Best Ever)From Hal Leonard

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The Best Christmas Songs Ever (Best Ever)From Hal Leonard

(Piano/Vocal/Guitar Songbook). One of our most popular songbooks ever is now available as a 6th Edition with more than 75 top holiday favorites, including: All I Want for Christmas Is My Two Front Teeth * Away in a Manger * Have Yourself a Merry Little Christmas * Joy to the World * Little Saint Nick * Silent Night * Sleigh Ride * We Three Kings of Orient Are * Winter Wonderland * and more!

  • Sales Rank: #81318 in Books
  • Brand: Hal Leonard
  • Model: 1049606
  • Published on: 1986-08-01
  • Released on: 1986-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .60" w x 9.00" l, 1.70 pounds
  • Binding: Paperback
  • 248 pages
Features
  • .

Amazon.com Review
The range of styles here is wide enough to include the old religious chestnut "He" alongside John and Yoko's "Happy Christmas (War Is Over)." There is only one instrumental ("The March of the Toys"). The keys are generally chosen for the convenience of the pianist, but you will find some examples of four sharps or four flats. In this collection, the guitar chord names always come with fingering diagrams. Margins are helpfully large, though sometimes the print is light. There are 72 selections. --William R. Braun

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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0 of 0 people found the following review helpful.
Easy and fun
By Claudia L
I'm learning the piano so this book was very easy to play. I loved the selections that were in the book.

7 of 7 people found the following review helpful.
The Best Christmas Songs Ever
By Jill Bauersfeld
Excellent choice of all time favorites. Good size music score. Only recomendation is that it be published with spiral binding. Difficult to keep open on the piano - I have been using a big plastic bag clip but then when pages need to be turned you need to stop and reposition. I would have been willing to pay another five for this convenience.

3 of 3 people found the following review helpful.
Perfect for the intermediate beginner
By grapefruit mama
As a piano teacher, I purchased this book for many of my students. It has a very comprehensive list of songs, and is perfect for a student that has a good understanding of how to read music. Most songs are in easy keys, and are fun and easy to learn. Perfect book for Christmas performance pieces- many of my students use this book for recitals and family gatherings for the holiday season. And again, the array of songs is great. This book has everything from religious to funny, old, new... I was really impressed with the amount and variety of music. Excellent purchase!

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Estate and Trust Administration For Dummies, by Margaret Atkins Munro

Your plain-English guide to administering an estate and/or trust

As more and more of the population reach senior ages—including baby boomers, many of whom do not have wills—an increasing number of people are being thrust into the role of executor, administrator, personal representative of an estate, or trustee of a trust after the death of a loved one. This updated edition of Estate & Trust Administration For Dummiesguides you through the confusing process of administering an estate and/or trust.

Settling an estate and administering a trust can be complicated, messy, and time-consuming for individuals named as executor or trustee, most of whom have no previous experience with such matters. Estate & Trust Administration For Dummies shows you how to make sound decisions for your unique circumstances.

  • Guides you through the confusing process of administering an estate and/or trust
  • Provides expert advice on unfamiliar estate and trust tax law
  • Gives you a practical checklist to follow for all of your estate and trust administration questions and concerns

Whether you're looking for guidance on how to navigate the probate process and estate taxes, settle debts and bequests, fund a trust, comply with tax regulations, or anything in between, this hands-on, friendly guide takes away the mystery and provides detailed answers to all of your estate and trust administration questions.

  • Sales Rank: #156560 in eBooks
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Format: Kindle eBook

From the Back Cover

Learn to:

  • Take the proper steps to navigate estate and trust processes
  • Comply with tax regulations
  • Make sense of unfamiliar estate and trust administration terms

Your plain-English guide to administering an estate or trust

Administering an estate or a trust is a big responsibility. This practical, authoritative guide contains advice for handling estates and trusts, whether large or small. It also explains how to read and interpret documents, take care of a loved one's estate in the event he or she never created a will, and help the estate or trust avoid paying too much (or too little) in taxes.

  • Estate and Trust Administration 101 — get the lowdown on estate and trust administration lingo; who the players are; and, in the case of trusts, exactly what games are being played
  • From soup to nuts — determine what the decedent owned (and owed), locate the necessary documents, figure out who inherits, shepherd the estate through the probate process, distribute what's left after everyone has been paid, and close the estate for good
  • The powers that be — discover what powers you have as trustee, what duties you're expected to perform, how to keep the necessary records, and the best way to terminate the trust after its job is done
  • A pain in the tax — find a plain-English explanation of preparing a simple estate tax return (Form 706), annual income tax returns for trusts and estates (Form 1041), and the decedent's final Form 1040

Open the book and find:

  • The first steps to take after a loved one's death
  • Guidance on navigating the probate process
  • Advice on marshaling and liquidating assets
  • The duties of trustees and executors
  • How to file income tax returns for a decedent, estate, or trust
  • Common pitfalls to avoid
  • Tips on finding and managing professional help
  • Ten common taxes you may have to pay

About the Author

Margaret Atkins Munro, EA, is a tax advisor, writer, and lecturer with more than 30 years' experience in trusts, estates, family tax, and small business. Kathryn A. Murphy, Esq., is an attorney with more than 20 years' experience administering estates and trusts and preparing estate and gift tax returns.

Most helpful customer reviews

56 of 56 people found the following review helpful.
Review: Estate and Trust Administration for Dummies, Exec Summ: Excellent!
By H. J. Spivack
In reviewing the "Estate & Trust Administration for Dummies" book, I should disclose that I am a financial planner. While I may be a dummy, I've found this series is rarely dumb, often insightful and sometimes downright terrific. This Edition (if that's the right word, it is the 2nd edition but I mean this book) is well written, comprehensive and plain-language-clear.
The book is not written for professionals necessarily, but it does cover a lot of ground that a professional should know or ought to be reminded of. It is thorough and as a professional, I expect I will review parts of it in the future as a clear reference guide.
The first section of the book covers fiduciary standards with regard to estate/trust administration. It is coming from the viewpoint that the reader may become the administrator or executor of an estate upon someone's passing and what they need to know. It talks about understanding and extent of duties, how estates work, identifying different types of trusts (yep, there's a lot of them!) It also talks about the professionals that are needed (or sometimes not needed) in administering to an estate (not just the lawyer and tax accountant) and how to practice diligent responsibilities in executing the estate.
The second section is a timeline, more or less. When you have an estate, the process is conducted in a very specific order. First probate, then determination of assets and valuation, prepping a probate inventory, paying expenses (including paying off the beneficiaries who have likely been chomping at the bit for 9 months expecting a check) and, finally, closing of the estate.
The next section is specific to trusts, understanding the trustee's duties, how the trust can or will be funded, how its assets are invested. During the life of the trust, there are key responsibilities that include accounting (principal vs. income), paying of beneficiaries, tax filings and, possibly, a termination of trust once its purpose is fulfilled. These duties can be time consuming, expensive and nerve-wracking. The book does a good job of summarizing in such a way that a trustee is aware of what they need to know and how to execute their responsibilities. This is, in my humble opinion, the best section of the book.
The last part of the book is devoted to taxes, the preparation of a final 1040, an Estate Tax Return, returns for decedent estates or trusts and K-1 reporting. A little dry, but the author does a good job of keeping the reader awake and engaged.
All in all, the book is an excellent primer on the topic and I recommend it strongly for anyone who may become either an executor or a trustee. If you are working with someone who will be acting as a corporate trustee, this is also a very good read. It may not give you all the answers that you want (that would take a law degree and years of experience) but it will lead you to ask the right questions.

25 of 26 people found the following review helpful.
Comprehensive and informative
By Kcorn
If you know very little about the responsibilities of forming and administering a trust, this book can help get you up to speed - as well as explain when you should seek additional advice from experts. The authors understand that one book is unlikely to cover all situations. But having faced the process of estate distribution after the death of a relative, I'm amazed by how much information the authors have covered in this book. Even after my own experience, I still discovered plenty of new information in this comprehensive volume. I only wish I'd known most of it much earlier. It could have prevented significant obstacles after my relative's death.

With 60 years of experience in administering estates and trusts, the authors have gained an impressive body of knowledge. Using accessible language, they share both the common and unusual scenarios that personal representatives of an estate could face. And everything is designed to eliminate confusion, although I did review some key parts several times (but I'm the type to check and double check information anyway).

I found the book to be an excellent reference. With 5 sections and 22 chapters, it might be an overwhelming task to try to read the entire book in one fell swoop. Luckily, as the authors point out, it isn't meant to be read cover to cover. For example, if you only want to learn about funding a trust or liquidating assets, you can focus on those particular topics and review other material later.

There is basic info - how to take the first steps after a death, navigating probate, closing an estate - as well as more unique situations. Readers are also given a "heads up" about the more unusual pitfalls of estates and trusts, with a special warning symbol next to pertinent sections. I found this very helpful and it kept me from bypassing crucial material.

A book review can't list all the information contained in this volume. I'd have to write an essay - or more - to do justice to everything here. But I can note some topics which caught my attention. I was particularly intrigued by the state by state compilation of the Intestacy Rules as well as deadlines for state estate taxes. They can vary significantly from one state to the other. The list for prioritizing payments for an estate and deciding which claims should be paid first could save significant time.

Of course the rules for estate administration are likely to change over time but the basic types of trusts, from grantor to irrevocable, tend to follow certain guidelines. Estate and Trust Administration for Dummies would have been extremely useful to have on hand when my relative died. It is equally worth reading now. I did seek help from an expert in trust administration and would certainly urge readers of this book to heed the authors' advice about when to do the same.

All the material falls into 5 broad sections: getting started with estate and trust administration, administering the estate, operating revocable and irrevocable trusts, paying taxes and the rules of tens (ten pitfalls, ten types of taxes that might have to be paid). Within those general categories is the kind of helpful advice which can provide reassurance when faced with the responsibility of administering trusts and estates. Highly recommended.

31 of 35 people found the following review helpful.
Helpful guide to practical aspects of Trust administration
By Victor Blake
This text may be very helpful to anyone who has suddenly or unexpectedly been thurst into the role of Trustee, executor, or administrator for example, upon the passing of a family member who has entrusted them to settle their estate. It may also be useful to a Trustee designated to handle other types of trusts for example a Life Insurance Trust.

Although the practice has largely been delegated to attorneys in the past, there is no necessary reason why family members cannot perform these functions. This book explains the language, terms, and procedures to help administer such a trust. To this end, the book is focused on typical examples of decisions and actions that trustees, executors, and administrators might need to make. For this audience the book is nominally sufficient to supply to a potential trustee, for example, to introduce them to the role and expectation of the commitment involved.

What the book does not do at all is to really explain why trusts (of various types) are used in the first place. Trusts are a valuable tool in estate planning. A well organized estate plan, including trusts and other instruments, can go a long way to preserve peace of mind and peace in a family where there is a clean plan for assets, responsibilities (duties), and benefits (beneficiaries). In failing to provide the rationale, the book also fails to explain how to select trustees or executors.

This book is therefore limited in its value to the audience identified above, and is not particularly useful for those engaged in estate planning (planning their own estate), setting up trusts, identifying trustees, etc. The book would have been far more valuable if had provided guidance as to the rationale for the instruments and the selection of parties (trustees, executors, administrators), etc.

With the assistance of books like this, it is possible for family members or friends to help manage trusts, but this book is not designed to and does not provide the proper guidance for determining what kind of trust you need and how to set it up. Although attorney costs can be significant, those costs are minor in comparison to the cost of even a simple error or mistake. Buy this book to read to learn more, but not as a substitute for experienced counsel.

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Mathématiques : Méthodes, savoir-faire et astuces, by Steeve Sarfati, Matthias Fegyvères

  • Sales Rank: #7377256 in Books
  • Published on: 1997-05-14
  • Original language: French
  • Number of items: 1
  • Dimensions: 6.34" h x 1.18" w x 9.45" l,
  • Binding: Paperback

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Spanning a period of more than a thousand years, Myanmar Architecture captures the historical essence of a rich culture influenced by trade, Buddhism and colonialism.

From ruined temples that are all that remain of the long-lost Pyu to the magnificent richness of the bejewelled, golden form of the Shwedagon Pagoda, Myanmar is home ot some of the most magnificent structures ever built. Splendid ruins dot the plains of Mrauk U and there is no other place quite like Bagan, the kingdom of the Four Thousand Temples. Behind the facades of the royal cities of Ratnapura, Amarapura and Yadanabon is a marvellous history of kings and ancient customs. Explore the traditions that dictate every fine detail in the design, construction and decoration of palaces, places of worship and even ordinary homes. See how colonial influences have left their mark in the modern cities of Mandalay, Yangon and Mawlamyine.

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  • Sales Rank: #3428936 in Books
  • Published on: 2005-06
  • Original language: English
  • Dimensions: .87" h x 10.16" w x 10.28" l,
  • Binding: Hardcover
  • 192 pages

About the Author
Ma Thanegi was born in Myanmar and educated at the Methodist English High School, the State School of Fine Arts and the Institute of Economics. She is a painter who has exhibited with group shows since 1967 and has had several exhibitions of her own. She is a contributing editor at The Myanmar Times, an English language weekly, and editor of Enchanting Myanmar, a travel magazine. She is the author of The Illusion of Life: Burmese Marionettes, The Native Tourist: In Search of Turtles, Paw Oo Thet: His Life and Creativity, An Introduction to Myanmar Cuisine nad Inle: Blue Sea in the Shan Hills. She lives in Yangon, Myanmar.

About the photographer
Barry Broman is a retired American diplomat who received a Bachelor of Arts in Political Science and a Master of Arts in Southeast Asian studies from the University of Washington. He worked as a photographer for the Associated Press in Southeast Asian and served as an infantry officer in the United States Marine Corps in Vietnam. He is the photographer of Irrawaddy: Benevolent River of Burma and Spiritual Abodes of Thailand and also produces documentary films on Asian subjects.

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By L. Young
I purchased this book in preparation for a trip to Myanmar and I was not disappointed. It's photographs are stunning as it explores the architectual splendors of this mysterious place.

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Core Archery: Shooting With Proper Back Tension, by Larry Wise

A systematic set of archery shooting form steps built around the proper use of your skeleton. Learn to maximize skeleton and minimize muscle. in step one you learn to shoot a ten and in step two you learn to repeat step one.K1-22290

  • Sales Rank: #136721 in Books
  • Brand: Specialty Archery
  • Published on: 2004-04-30
  • Original language: English
  • Dimensions: 8.25" h x 5.50" w x .25" l, .40 pounds
  • Binding: Paperback
  • 144 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
not meant for a traditional bow.
By Kerry
I assume it is good for people who shoot fancy compound bows hung about with all kinds of gizmos. But I wish I had known it is not meant for a traditional bow. There was very little that I found applicable. There was good info on body posture, and the why and how of a smooth draw and release. But I don't use, have or want the release device he spent so much time going on about & I don't have or want sights, so the bulk of the book was irrelevant to me. The instructions about keeping back tension were too brief, in my opinion, and too dependent on the release device as a learning aide ( re: if it goes off when it should, apparently that means you did it right... well, I don't have that device, so...) If you want advice on shooting a traditional bow - look elsewhere.

17 of 18 people found the following review helpful.
A very good book- with one small reservation.
By Ancient Mariner
An excellent book for beginning archers. The explanation and teaching in the musculature and psychological aspects of archery form are extremely well presented and illustrated. The one small reservation is that there is no warning other than the front page graphic that the book is 99.9% intended for users of compound bows and trigger releases. There is almost an entire chapter exclusively discussing trigger releases and techniques to the exclusion of recurve release techniques.

Potential users of recurve bows using finger tab or glove release will find very short shrift with only a few paragraphs and photos pertaining to finger release.

Despite this minor shortfall, the great majority of the book on form, muscle involvement, psychology and aiming, refers equally and thoroughly to either recurve or compound archery.

A chapter specifically discussing finger release techniques and arrow flight effects with tabs or gloves would have been helpful- the author clearly understands recurve bow use but chose to give it very minimal coverage, concentrating on the compound bow in discussion and illustrations.

2 of 2 people found the following review helpful.
Very Good Information on Shooting Technique
By BuffaloSoldier
I really liked this book. The book is geared toward compound shooters but the principles of the establishment of regimented routine form integrated with mental concentration are invaluable to all archers. The book's main information is about developing regimented routine of reproducing physical mechanics of setting up and shooting a successful shot over and over. I found the final 2 chapters about Aiming and the Mental Game of Archery very helpful. The mental game chapter was great and I would recommend the book based on that chapter alone. I would highly recommend this book to anyone interested in archery and improving skills and consistency.

See all 45 customer reviews...

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Rabu, 12 Desember 2012

[S941.Ebook] Fee Download Workbook for Tonal Harmony with an Introduction to Twentieth-Century Music, 6th Edition, by Stefan Kostka, Dorothy Payne

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Workbook for Tonal Harmony with an Introduction to Twentieth-Century Music, 6th Edition, by Stefan Kostka, Dorothy Payne

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Workbook for Tonal Harmony with an Introduction to Twentieth-Century Music, 6th Edition, by Stefan Kostka, Dorothy Payne

Workbook for tonal harmony

  • Sales Rank: #286089 in Books
  • Brand: Brand: McGraw-Hill Humanities/Social Sciences/Languages
  • Published on: 2008-03-14
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .0" h x .0" w x .0" l, .0 pounds
  • Binding: Paperback
  • 341 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Faith Cruz
Arrived in good condition.

6 of 8 people found the following review helpful.
Great Workbook
By A Customer
This is a great workbook for someone who is trying to learn music theory either on their own or with a tutor. I would recommend it to everyone!

4 of 6 people found the following review helpful.
overpriced
By Lynn G
I have the book but was going to buy another for a friend, and the price just went from $10.50 to $60.50 in the couple days I've had this sitting in my cart.
DO NOT spend $60 on this book! There are others that can do the same thing, or borrow a friend's for Heaven's sake, or rent it for $22. Jumping a price like that - do they not think people won't just rent it and copy out the pages?
That's the only reason for the one star. I'm at the very beginning of learning to read music, I like this one all right, but as a beginner really anything is better than nothing so I can't gauge how marvelous this one is compared to others except by price, I was convinced by its other reviews to buy it, and it was $10.50! I would never pay $60 unless it was part of a university course and I had a professor attached. On it's own, no.

See all 11 customer reviews...

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Senin, 10 Desember 2012

[O783.Ebook] Download PDF The Face: Cartography of the Void, by Chris Abani

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The Face: Cartography of the Void, by Chris Abani


In The Face: Cartography of the Void, acclaimed poet, novelist, and screenwriter Chris Abani has given us a brief memoir that is, in the best tradition of the genre, also an exploration of the very nature of identity. Abani meditates on his own face, beginning with his early childhood that was immersed in the Igbo culture of West Africa. The Face is a lush work of art that teems with original and profound insights into the role of race, culture, and language in fashioning our sense of self. Abani’s writing is poetic, filled with stories, jokes, and reflections that draw readers into his fold; he invites them to explore their own “faces” and the experiences that have shaped them.

As Abani so lovingly puts it, this extended essay contemplates “all the people who have touched my face, slapped it, punched it, kissed it, washed it, shaved it. All of that human contact must leave some trace, some of the need and anger that motivated that touch. This face is softened by it all. Made supple by all the wonder it has beheld, all the kindness, all the generosity of life.” The Face is a gift to be read, re-read, shared, and treasured, from an author at the height of his artistic powers. Abani directs his gaze both inward and out toward the world around him, creating a self-portrait in which readers will also see their own faces reflected.

Abani’s essay is part of a groundbreaking new series from Restless Books called The Face, in which a diverse group of writers takes readers on a guided tour of that most intimate terrain: their own faces. Visit www.restlessbooks.com/the-face-series for more information.

Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, and has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun - Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic.

  • Sales Rank: #478212 in eBooks
  • Published on: 2015-04-02
  • Released on: 2015-04-02
  • Format: Kindle eBook

Review
“A fascinating meditation on identity that explores the novelist’s own mixed heritage and mixed feelings….A true citizen of the world….With great insight and compassion, Abani reveals that behind his—and every—face are unseen scars.”

—San Francisco Chronicle

“I devoured it a single sitting. It’s light and easy, and also heavy and thought-provoking. It’s not exactly a memoir, but it’s a moving and funny account of inhabiting what Esi Edugyan calls the ‘yes, but where are you really from?’ question.”

— The New Inquiry

“Chris Abani describes his face as ‘a mixture of two races, of two cultures, of two lineages’ (he was born in Nigeria to an Igbo father and English mother), writing with humor, anguish and acceptance about ancestry and family and ‘wearing’ his father's face.”

— Patricia Hagen, Minneapolis Star Tribune

“This is a man who has seen the darkness in humans and who still [mostly] likes us, who can laugh, make jokes, love others deeply. We feel safe with him, and if he can’t save us when something bad happens, at least we shared something real with another for awhile. Abani writes fiction and poetry—how real and important can that be? Quite real enough to reveal both the dark heart and warm center that most humans harbor.”

—The Bowed Bookshelf

“Chris Abani might be the most courageous writer working right now. There is no subject matter he finds daunting, no challenge he fears. Aside from that, he’s stunningly prolific and writes like an angel. If you want to get at the molten heart of contemporary fiction, Abani is the starting point.”

— Dave Eggers

“Chris Abani is easily one of most important voices in literature today.”

— Warscapes

“What do our faces say about us — and how much of what they say is fair? That’s one of the questions posed by Restless Books’s intriguing new series The Face, in which writers use their own countenances as launchpads into the imaginative stratosphere . . . in Chris Abani‘s Cartography of the Void, part of the series’s inaugural triptych (along with short works by Ruth Ozeki and Tash Aw), we’re not disappointed . . . Can we dismiss the significance of our faces when they bear so strongly the marks of who we were as much as who we are? It could seem like a pessimistic question. But Abani isn’t pessimistic. Seeing his father in himself is troubling but it also opens up a path to understanding. And so it is that he can hope: ‘That my face, and my father’s face, and his father’s face before him will blaze in an unending lineage of light and forgiveness.’”

— Charles Arrowsmith, House of SpeakEasy

“Abani is a force to be reckoned with, a world-class novelist and poet.”

— Russell Banks, author of Lost Memory of Skin

“Abani has the energy, ambition and compassion to create a novel that delineates and illuminates a complicated, dynamic, deeply fractured society.”

— Los Angeles Times

“Abani [is] a fluid, closely observant writer.”

— The Washington Post

“Abani is a fiction writer of mature and bounteous gifts.”

— The New York Times

“A master, a literary shaman.”

— Brad Kessler, author of Birds in Fall

“Abani writes in a fearless prose.”

— Time Out Chicago

About the Author
Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, received a BA in English from Imo State University, Nigeria, an MA in English, Gender, and Culture from Birkbeck College, University of London, and a PhD in Literature and Creative Writing from the University of Southern California. He has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun: Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic. He is the recipient of the PEN USA Freedom-to-Write Award, the Prince Claus Award, a Lannan Literary Fellowship, a California Book Award, a Hurston/Wright Legacy Award, a PEN Beyond the Margins Award, the PEN Hemingway Book Prize, and a Guggenheim Award.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A moving and unsentimental take on race from a great Nigerian-American writer.
By Avidity Jones
Chris Abani is a poet and a storyteller, and you get the sense reading his long-form essay, "The Face," that he'd tell you the two things aren't so different. But this book is much more than just poetry and lyricism (which it has in spades); it's a profound exploration of race and identity, African history and personal history, that is utterly unique and yet somehow also universal and above all, timely. Abani was born into the Igbo tribal culture in Nigeria, and now he lives in Chicago. He's also lived many places in between, his identity shifting in relation to his setting:

"When I lived in East Los Angeles, a predominately Chicano/Latino neighborhood, I was assumed to be Dominican or Panamanian. In Miami, where I go regularly for religious reasons, I am confused for a Cuban. In New Zealand I was assumed to be Maori. In Australia, Aborigine. In Egypt, Nubian. In Qatar, Pakistani. In South Africa, Zulu or some other group, depending on who was talking. Other times, because of my accent, which is a mix of Nigerian, British, and now American inflections, I am assumed to be from “one of the islands.” No one accepts my Nigerianness, not without argument. In fact, the two things I have been rarely taken for— Nigerian and white—are the very things that form my DNA."

I loved this book, which as a Kindle Single makes for the perfect single-sitting read. After I read it, I walked around inspired—it's the kind of book to give a friend or enemy, saying "Read this, you'll feel better, both in head and heart."

2 of 2 people found the following review helpful.
An elegant read that reads you
By ebele
Thought provoking reflection on that which is both strange, communal, and personal- the face. You'll journey with the author into the places where our complex lives weave into the bigger narrative of the bloodlines we represent; the circles we run - around love and hate, identity and conformity; the things we disown to find we cannot truly disown; the ways we both remember and forget. Running through it all is the understated but graceful, even beautiful way these tensions and the profound mystery of it all-being, identity and belonging- is pinned to earth in the unique faces we wear. After reading, your face & everyone else's will no longer be 'just' a face to you!

0 of 0 people found the following review helpful.
Essential reading
By BowedBookshelf
The work of Chris Abani crosses national boundaries. He calls himself a “global Igbo,” referring to his lineage, and to the fact that he has so many foreign influences on his experience as a Nigerian. Brought up privileged in an educated middle-class household with a white British mother and an Oxford-educated Igbo father, Abani had access to western music, American novels, Bollywood films, Indian mysticism as a youth. He was a precocious fourth son, starting to write in his early teens.

His face, which he talks about in this memoir, has a kind of universality so that people often mistake him for Lebanese, Arab, Indian, Dominican, Cuban, Hawaiian, or Maori. When his Korean manicurist in L.A. called his face “comfortable,” Abani writes "Comfortable face. I liked it. Made me think of a well-worn armchair that I’d like to collapse into after a rough day. A face made for sitting in. Where one could sip a sweet spicy ginger tea and talk about love and books and karaoke. A face worn in by living, worn in by suffering, by pain, by loss, but also by laughter and joy and the gifts of love and friendship, of family, of travel, of generations of DNA blending to make a true mix of human. I think of all the stress and relief of razors scraping hair from my face. Of extreme weather. Of rain. Of sun. I think of all the people who have touched my face, slapped it, punched it, kissed it, washed it, shaved it. All of that human contact must leave some trace, some of the need and anger that motivated that touch. This face is softened by it all. Made supple by all the wonder it has beheld, all the kindness, all the generosity of life.
Comfortable face."It is not just the face of Chris Abani that is comfortable. He makes us comfortable about ourselves, about the world, about our fears and aspirations. Abani’s fiction reveals the insides of characters who are often different in some way, their very differentness expressing their underlying and universal humanity. We are all different from one another. It is our differentness that makes us the same.

At the same time, Abani makes us uncomfortable. In an essay for Witness magazine entitled, “Ethics and Narrative: the Human and Other,” he writes "In making my art, and sometimes when I teach, I am like a crazed, spirit-filled, snake-handling, speaking-in-tongues, spell-casting, Babylon-chanting-down, new-age, evangelical preacher wildly kicking the crutches away from my characters, forcing them into their pain and potential transformation. Alas, or maybe not, I also kick the crutches away from my readers. And many have fled from the revival tents of my art, screaming in terror."When we go to dark places in ourselves, Abani suggests, we can come back, better. “When you are at your worst, you can see yourself most clearly.” At your worst, you can see your choices most clearly, and choose goodness, compassion. This is a man who has seen the darkness in humans and who still [mostly] likes us, who can laugh, make jokes, love others deeply. We feel safe with him, and if he can’t save us when something bad happens, at least we shared something real with another for awhile. Abani writes fiction and poetry—how real and important can that be? Quite real enough to reveal both the dark heart and warm center that most humans harbor. “Language actually makes the world in which we live.” Language, and literature, at its best, can be transformative. We can create our world anew by what we say, what we think, what we read, what we write. But we therefore have an obligation to use words [and actions] that do not harsh the environment, but gentle it, that explain and improve the world.

Abani is a black man, but his writing has few markers for what passes for “black” in America. In a 2014 interview with Rumpus Magazine Abani tells Rumpus interviewer Peter Orner that having grown up in a black-majority country, he was not defined by his race until he left Nigeria and went to Britain and the United States.

Though he has lived in the United States for some ten years or more, Abani does not write in the style of white or black America, though he clarifies in an NPR interview (Illinois), “Africa could never have the literature it does without the influence of black Americans.” African literature makes no attempt to fit into the Western canon: African writers are having this conversation over here, and if you want to join in you must make accommodation. Interestingly, Abani finds writing in America freeing, partly because of the language, which is constantly influenced by our immigrant population, and because of the vitality and variety of experience and geography.

Abani’s students, and we readers, often “forget he is black” because he assumes the right to speak with his own voice and deals with universal themes. But Abani observes and occasionally writes of the oppression of black people in this country: "Slavery [in Amerca] is not really over". In this memoir he mentions that when he is stopped while driving, the cops seem surprised and almost “offended by his [British] accent.” He recognizes that as an educated middle-class African, he has a privileged position in American society. “Race in America has more to do with social position than it has to do with biological race.”

Abani now teaches writing at Northwestern University in Chicago. Daria Tunca of the University of Liège in Belgium has compiled a wonderfully complete bibliography of Abani’s work (and short biography) which includes links to interviews, readings, and Abani’s website. I share my favorite links below because I feel his work is essential reading/listening. Somehow the issues we face in the world are pointed to by this big man with the small voice and small toes. And he gives us some answers: You reflect my humanity back at me. Ubuntu.

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